Kamis, 05 Agustus 2010

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Engineering Our Digital Future: The Infinity Project, by Geoffrey C. Orsak, Sally L. Wood, Scott C. Douglas, David C. Munson Jr., John R.

Engineering Our Digital Future: The Infinity Project, by Geoffrey C. Orsak, Sally L. Wood, Scott C. Douglas, David C. Munson Jr., John R.



Engineering Our Digital Future: The Infinity Project, by Geoffrey C. Orsak, Sally L. Wood, Scott C. Douglas, David C. Munson Jr., John R.

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Engineering Our Digital Future: The Infinity Project, by Geoffrey C. Orsak, Sally L. Wood, Scott C. Douglas, David C. Munson Jr., John R.

This book, Engineering Our Digital Future, plus a broad spectrum of supplemental materials, classroom technology, and a comprehensive instructor training program—work in concert to motivate users to learn about the infinite possibilities of technology and engineering in today's world. Developed by a national team led by Southern Methodist University and Texas Instruments, this book is the first of its kind in the country. Chapter topics include: The World of Modern Engineering; Creating Digital Music; Making Digital Images; Math You Can See; Digitizing the World; Coding Information for Storage and Secrecy; Communicating with Ones and Zeros; Networks from the Telegraph to the Internet; and The Big Picture. A new outlook into the possibilities of technology and engineering for beginner engineers.

  • Sales Rank: #900363 in Books
  • Published on: 2003-07-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x 1.10" w x 8.70" l, 3.29 pounds
  • Binding: Hardcover
  • 494 pages

From the Back Cover
This book, Engineering Our Digital Future, plus a broad spectrum of supplemental materials, classroom technology, and a comprehensive instructor training program—work in concert to motivate users to learn about the infinite possibilities of technology and engineering in today's world. Developed by a national team led by Southern Methodist University and Texas Instruments, this book is the first of its kind in the country. Chapter topics include: The World of Modern Engineering; Creating Digital Music; Making Digital Images; Math You Can See; Digitizing the World; Coding Information for Storage and Secrecy; Communicating with Ones and Zeros; Networks from the Telegraph to the Internet; and The Big Picture. A new outlook into the possibilities of technology and engineering for beginner engineers.

About the Author

Geoffrey C. Orsak is Associate Dean for Research and Development and a Professor with the Department of Electrical Engineering, Southern Methodist University. He also serves as the Executive Director of the federally supported Institute for Engineering Education at SMU and Director of the Infinity Project. Dr. Orsak is widely regarded as one of the nation's leaders in K-12 engineering education.

In addition to these activities, he has served as an advisor on matters associated with the science and technology of national defense to the U.S. Department of Defense; the National Academy of Engineering; the Institute for Defense Analysis, among others. Dr. Orsak received the B.S.E.E., M.E.E., and Ph.D. degrees in electrical and computer engineering from Rice University, Houston, TX.

Sally L. Wood is a Professor with the Department of Electrical Engineering, Santa Clara University, the oldest university in California. For the past six years, she has also been the head of the department. She was born in Swansea MA, raised in Georgia, and graduated from high school in Washington state. After she received the B.S. degree from Columbia University, she worked for five years in the northeast and in Europe designing systems to automatically read printed text. She then returned to graduate school at Stanford University and earned a Ph.D. degree for research on medical imaging. She enjoys teaching classes from the freshman level to the graduate level in digital logic and signal processing and continues her research on video and image processing. She is a past vice president of the IEEE Signal Processing Society.

Scott C. Douglas is an Associate Professor with the Department of Electrical Engineering, Southern Methodist University. He is also the Associate Director for the Institute for Engineering Education at SMU. Before attending college, he was drawn to engineering through his love of music and the arts, and he has performed in numerous orchestras, bands, and musical groups as a saxophonist and singer throughout his life. He received the B.S., M.S., and Ph.D. degrees from Stanford University. Afterward, he became a professor, educator, and engineering researcher. He regularly consults with companies all over the world on topics related to his research interests, which focus on the processing of acoustic signals for sound and vibration control, speech enhancement, and spatial understanding.

David C. Munson, Jr. is both the Chairman and a Professor with the Department of Electrical and Computer Engineering, University of Michigan. Prior to this, he was a Professor with the Department of Electrical and Computer Engineering, University of Illinois, Urbana-Champaign. His research focuses on computer algorithms for tomography and synthetic aperture radar. In addition to his research, Dr. Munson particularly enjoys being in the classroom, where he has taught thousands of students their first course in digital signal processing. He received the B.S. degree from the University of Delaware and the M.S., M.A., and Ph.D. degrees from Princeton University, all in electrical engineering. Dr. Munson is a past-president of the IEEE Signal Processing Society and the founding editor-in-chief of the IEEE Transactions on Image Processing.

John R. Treichler is the Chief Technical Officer of Applied Signal Technology, Inc., an engineering company that builds specialized electronic equipment for the U.S. government and its friends overseas. His research focuses on the application of advanced technology to communications systems. Dr. Treichler has been a professor at both Cornell University and Stanford University. He received the B.A. and Masters of Electrical Engineering degrees from Rice University and the Ph.D. degree from Stanford University. He served aboard ships as an officer in the U.S. Navy, and continues to work at the company he co-founded.

Ravindra Athale is currently a Program Manager of Photonics at the Defense Advanced Research Projects Agency (DARPA), on leave from George Mason University. Prior to this, he has worked at various government research labs and in private industry. He has been fascinated by everything optical—lasers, holography, liquid crystals, optical computers—for his entire career. He is the co-inventor of HoloSpex glasses, which is the first mass scale consumer product based on the esoteric technology of far-field computer-generated holography. Dr. Athale received the B.Sc. and M.Sc. degrees in physics in India and the Ph.D. degree from the University of California, San Diego, in electrical engineering. During his career as a professor, he has developed and taught a course that teaches principles of information technology to non-science and engineering students.

Mark A. Yoder is a Professor with the Department of Electrical and Computer Engineering, Rose-Hulman Institute of Technology, Terre Haute, IN. Dr. Yoder received the B.S. degree in 1980 and the Ph.D. degree in 1984, both in electrical engineering and both from Purdue University. While working as a research scientist, he discovered that teaching engineering was most enjoyable, prompting him to join Rose-Hulman Institute of Technology. He is a national leader in teaching digital signal processing to young college students, using symbolic algebra systems in electrical engineering education and in developing engineering curriculums for high school students.

Excerpt. © Reprinted by permission. All rights reserved.
ABOUT THE INFINITY PROJECT

As we move into the 21st century, engineering and technology will have an ever-increasing impact on our daily activities. Yet as our lives have become more and more dependent on technology, public awareness and knowledge about technology-related issues has declined. All of this is compounded by the fact that young students today continue to see little relevance in traditional math and science curricula—sadly suggesting that this unfortunate trend may continue into the foreseeable future, resulting in a reduced ability of our population to deal with society's challenges.

The Infinity Project was created to address just this problem by developing an innovative approach to applying ,fundamental science and mathematics concepts to solving contemporary engineering problems. This nationwide program, designed by leading college engineering professors in cooperation with education experts, is sponsored and run by the Institute for Engineering Education at SMU, with generous support from Texas Instruments, the National Science Foundation, and the Department of Education.

The Infinity Project engineering and technology curriculum encourages students to be curious about math and science by connecting their relevance to prized personal technologies such as MP3, CD, and DVD players; cellular phones; pagers; and handheld video devices. The perennial question "Why do I need to learn this?" is answered in ways that are both relevant and fun. The Infinity Project curriculum sharpens math- and science-based problem-solving skills, and encourages students to be innovative, to go beyond what is, and to dream of what can be.

The Infinity Project supplies schools and teachers with a complete turnkey solution that includes this first-of-its-kind engineering textbook. Engineering Our Digital Future covers a selection of topics and hands-on activities to inspire and excite students. The Infinity Project curriculum encourages young people to learn about engineering, inspires them to understand the relevance of technology and the importance of mathematics and science, and shows how these concepts can lead to rewarding, challenging, and creative career opportunities. And although we emphasize the current leading-edge digital technologies that are important and exciting to today's youth, the approach to problem solving emphasized throughout the book applies to all fields of engineering and many other professions as well.

The Infinity Project provides a complete answer for effectively and easily incorporating engineering and technology into standard curricula today: stimulating, well-thought-out content; comprehensive teacher training; cutting-edge classroom technology; lab materials and lab activities; and an outstanding supplements package. On-line Web support guarantees that you are never alone.

CURRICULUM

The Infinity Project curriculum is typically covered in a yearlong class. Students learn how to apply math and science concepts to design new technologies involving digital music and images, special effect" for films, personal communication devices such as cell phones, and the Internet—all while clearly understanding how information in the digital era is collected, stored, processed, and moved around the globe.

The curriculum is significantly enhanced by many hands-on experiments that are carefully integrated with the course materials. The classroom and lab equipment produced by the Infinity Project, in partnership with Texas Instruments and Hyperception, Inc., is based on new cutting-edge digital signal processing technology and has been made available by our industrial partners as the Infinity Technology Kit. This very low cost kit converts standard PCs found in classrooms and laboratories into a modern engineering design platform and allows instructors to clearly demonstrate engineering design in the digital era. The modern design tools that are part of the Infinity Technology Kit allow instructors and students to design and build remarkably capable and complex systems from simple function blocks.

Engineering Our Digital Future is designed for students who have completed mathematics through a second course in algebra (Algebra II) and who have had at least one laboratory science course. This innovative engineering and technology course allows students to see firsthand the applications of math and science to engineering and technology early enough in their studies to encourage them to pursue more advanced math and science courses and to begin to consider future careers in technology and engineering. The book focuses squarely on the math and science fundamentals of engineering during the information revolution and teaches students how engineers create, design, test, and improve the technology around them. Applications are drawn from a wide array of modern devices and systems seen today.

Scope and Focus of Content: Engineering is an exceptionally broad field-so broad, in fact, that no single course or book could adequately capture all the application areas that engineers are working in today. However, what makes Engineering Our Digital Future directly relevant to every area of engineering is the application of math and science concepts to the creative aspects of engineering design.

The members of the Infinity Project had to make a number of difficult decisions in choosing which topical areas of engineering to emphasize in this book. Our choice was made all the easier by talking to students and teachers, who stated clearly that they love high technology, particularly those areas that touch students' everyday lives. So, the Infinity Project assembled one of the best teams in the country to create this innovative engineering textbook. The content within the book focuses on the engineering applications of basic math and science concepts used by engineers to dream up, design, and build many of the new high-tech innovations that are changing our world. While we wish we could have shared the full breadth of engineering applications with students, we believe that the material contained in this book shows clearly how engineers, armed with knowledge of math, science, and technology, have the ability to impact nearly every aspect of our lives.

Engineering Our Digital Future is composed of nine separate chapters, each emphasizing different application areas of engineering and each losing different areas of math and science commonly seen in high school and early college.

Chapter 1 introduces students to the engineering design process and the basics of modern technology, including integrated circuits, computer chips, and mathematical concepts such as Moore's Law, binary numbers, and simple exponential functions that describe constant growth rates.

Chapter 2 exposes students to some of the most important engineering ideas associated with the creation of digital music. Students learn how basic ideas drawn from the right triangle, such as sines and cosines, are fundamental to making computer music.

Chapter 3 develops the basic concepts behind digital imaging technologies, including capturing and storing digital pictures. Various mathematical concepts are developed, explored, and shown to be interesting and relevant to manipulating these images.

Chapter 4 extends the ideas in Chapter 3 to using digital images and video in several interesting human applications. Additional mathematics are developed wherein images are treated as matrices, and operations to improve image quality or extract information from images are defined in terms of simple matrix operations.

Chapter 5 focuses on the general ideas associated with the digitization of a wide range of information, from text in books and magazines, to speech and music, to images and video. Students learn the details of how all these types of information are captured and stored in digital form. They also learn about the various practical trade-offs when real-world, or "analog", information is converted to numbers and stored with finite precision.

Chapter 6 focuses on some of the more interesting opportunities for coding information when the information is stored on a computer, using only bits. Problems in computer security and encryption as well as redundancy of numbers and data compression are both highly relevant and interesting to students. The basic concepts of detecting and correcting errors in digital data are discussed. This chapter gives students some very interesting applications of simple polynomials and random numbers.

Chapter 7 exposes students to the basic ideas behind wireless and radio communications. Students see firsthand how sines and cosines enable all wireless communications. They learn such important fundamental concepts as bandwidth and data rate.

Chapter 8 gives a very good overview of computer networks and the Internet from both a modern and an historical perspective. Students will be fascinated to learn how similar the Internet is to many other networks, including the U.S. Postal Service and the telegraph system. In this chapter, students have the opportunity to undertake some very interesting mathematical calculations involving simple economic tradeoffs in system and network design.

Chapter 9 looks at the big picture of engineering. By examining the engineering concepts and social implications of ten important engineering feats throughout history, this chapter shows how these accomplishments changed they way people live, work, and play. Various fields within engineering are introduced, and certain myths and misconceptions of engineering are discussed and dispelled.

Course Options

A typical course using Engineering Our Digital Future begins with Chapter 1 and ends with Chapter 9, with the instructor judiciously selecting a subset of chapters from the book in accordance with the anticipated pace of the class. The well-paced classroom can expect to complete the entire book taken in order. Classrooms with a more conservative pace will want to select an appropriate subset of chapters that will ensure a high-impact course.

In selecting chapters that will be of interest to students, the instructor should consider the mathematical level of the students taking the class. If the students have had a successful experience with mathematics up to a second course in algebra and have had reasonable exposure to the most basic ideas from geometry and trigonometry, then all of the chapters can be selected without any fear of the students not having the appropriate background. In this case, the selection criteria should then be based on the level of student interest in the various chapters. For classes with a high interest in music and video, the educator should focus on Chapters 1-5 and 9. For classes with an interest in cell phones and the Internet, the educator should focus on Chapters 1 and 5-9.

For classes with larger percentages of students with little exposure to trigonometric ideas, some topics in Chapter 2 and in Chapter 7 might come across as a bit challenging. However, the material is relevant and the engineering designs are exciting, so the educator might want to consider covering only the first few sections of these chapters. Similarly, if a large percentage of the class has had little exposure to mathematical abstraction, some parts of Chapters 5 and 6 may be omitted without losing continuity.

For classes that want to sample the entire book, but don't feel that they have the time to thoroughly cover the full scope of the material, teachers should feel comfortable covering the first few sections of each chapter without fear that they are leaving important material out that will be necessary for future chapters. Each chapter is fairly well contained, and important supporting material, if it is needed, is easy to find.

PEDAGOGICAL FEATURES
  • Hundreds of four-color illustrations that demystify engineering and technology concepts
  • Real-world examples that are actually fun
  • Notes and facts in the margins that emphasize important points and interesting facts
    • Definitions
    • Interesting Facts
    • Key Concepts
    • Keep in Mind
  • Infinity Project experiments fully integrated within the text that are designed specifically for use with the Infinity Technology Kit
  • Infinity Technology Kit—a complete engineering design platform for today's most relevant and interesting new technologies
  • Interesting applications presented in boxes within the text
  • Exercises divided by pedagogical approach
    • Mastering the Concepts
    • Try This
    • In the Laboratory
    • Back of the Envelope
    • Master Design Problems
  • Chapter review and summary
    • Big Ideas
    • Math & Science Concepts Learned
    • Important Equations
    • Building Your Knowledge Library
  • Comprehensive glossary
INFINITY TECHNOLOGY KIT

Engineering is about doing things. Therefore, throughout this book, students will have the opportunity to master engineering and technology concepts by building and testing new designs—while using digital technologies, including video, audio, and graphics, that are engaging for students and teachers. To aid in the classroom or laboratory, the team behind the Infinity Project has created the cutting-edge Infinity Technology Kit, a multimedia hardware and software system for converting standard PCs into engineering design environments. The Infinity Technology Kit brings to life the engineering concepts taught in The Infinity Project engineering curriculum. The predesigned lab experiments and engineering designs allow students to experience firsthand the full range of the engineering design process of envisioning, designing, building, and testing modern technology.

The technology used within the Infinity Technology Kit is based upon Texas Instruments' Digital Signal Processor (D SP) chips and a new and innovative graphical programming environment called Visual Application Builder, designed and developed by one of the Infinity Project partners, Hyperception, Inc. With the Infinity Technology Kit, students with limited experience can act like real engineers—creating innovations that are relevant and exciting. No previous experience with any programming languages is required.

Components:

Hardware: High-performance digital signal processing board based on TI DSP technology.

Software: Easy-to-use, yet powerful, graphical computer programming software created and produced by Hyperception, Inc.

Accessories include Web camera, PC powered speakers, PC microphone, and all the necessary cables for easy installation

SUPPLEMENTS

The Infinity Project supplements offer comprehensive additional resources and classroom support:

  • Instructor's manual containing
    • Microsoft PowerPoint lecture notes
    • Lab exercise handouts
    • Extensive test-item file with complete solutions
  • Laboratory manual
WEBSITE

The Infinity Project website, at http://www.infinity-project.org , provides ongoing classroom support and resources:

  • Curriculum updates, including additional on-line chapters related to new and exciting topics such as robotics and the physics of engineering
  • Infinity Project engineering experiments and updates
  • Discussion groups for teachers and educators, monitored and supported by the staff of the Infinity Project
  • Training materials
  • Installation instructions and support for the Infinity Technology Kit
  • Links to interesting and related websites

Most helpful customer reviews

10 of 12 people found the following review helpful.
Excellent book
By A Customer
I think it is a great book. DSP education has suffered by not having this level of material presented and understood before diving into the blizzard of equations that characterises most peoples first exposure to DSP education. Also, its goal of reaching high school students is filling the need of providing a basic literacy in the digital nature of daily life that is sorely needed.
The presentation is clear. It uses aspects of technology that touch peoples lives, so they aren't remote or unapproachable. I think it is very positive in promoting electronics as an area where females as well as males can be comfortable participating. The topic areas were selected to peak interest, the first step toward learning. And although the book intended to lay basic groundwork, it does it with a clear eye toward paving the way to more advanced investigations, and strikes good compromises about the depth to go into, so that introductions are made to techniques that will be major themes in later study.
It is also an attractive book. It is colorful and inviting.
I disagree with another reviewer that it is has hype for engineering. It is compelling and elicits enthusiasm. How can that be a flaw in a textbook?!

6 of 10 people found the following review helpful.
Interesting Approach
By johare
This book is the outcome of a collaboration called "The Infinity Project" between Southern Methodist University, the government and Texas Instruments. It is intended to be an interesting introduction to current leading-edge digital technologies. For vehicles it uses digital music (a digital band), digital images (acquiring an image, and a robot eye), digital multimedia records (a digital yearbook and a digital backpack, or personal data assistant), digital transmission, and network design. There is a web site at [...]
The strong point of this collection of projects is its design orientation. It begins with a distinction between scientists (creators of explanation) and engineers (creators of solutions for needs). It presents math and physics just-in-time, as parts of design problems and illustrates (with fair success) a common paradigm for pursuing such problems.
Weak points of the collection are wordiness, some repetition, and a lack of justification or qualification of some general remarks. For example, a "nine-step" design algorithm is proposed with inadequate development or discussion.
Excessive enthusiasm leads to some annoying hype to support engineering. An example of the book's myopia regarding creativity is a discussion of a design problem to "create a digital system that can produce award-winning movies from scratch by simply using a few suggestive keywords typed in by a user". This project sees creativity in the design of the system, but not in creating a movie - all you have to do is "paint by numbers" using a huge inventory of snipets. Other professions also may feel minimized.
Overall, the book provides a nice feel for engineering, and for the use of math in solving engineering problems. It clearly shows the inquiring nature of creativity and the extension of common sense to penetrate complex issues. The ideas of constraints and trade-offs are made clear.
This book appears aimed at precocious high-school students or at first-year engineering courses either for engineers or for those that want a flavor of what engineering is. The authors have not explicitly stated their target audience, but the infinity web site suggests "high school and early college engineering curriculum".

0 of 0 people found the following review helpful.
As an older book, this is a depressing indicator of the current status of textbook companies.
By J. Cronin
Props for this book being well constructed (from a physical standpoint) and not being re-hashed as a required $200 cost every other year.

If students are paying $100+ for a rehashed copy of the last edition every 2 years, it should at least be hardcover like this! I'm sick of paying through the teeth for exorbitantly priced paperbacks with cruddy print quality and insanely thin pages!

See all 4 customer reviews...

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Ace Personal Trainer Manual + Ace's Essentials of Exercise Science W/ DVD Pkg, by Ace

Nearly two decades after the debut of the first ACE Personal Trainer Manual, the American Council on Exercise continues to lead the way by providing the most comprehensive resource on personal training you will ever find. This all new fourth edition of ACE's best-selling textbook offers expanded coverage of a personal trainer's primary job responsibility-assessing each client's current level of health and physical fitness and then developing a safe and effective fitness program that will lead to a lifelong commitment to a more active lifestyle and better health.

  • Sales Rank: #1924160 in Books
  • Published on: 2011-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x 1.70" w x 8.40" l, .0 pounds
  • Binding: Hardcover

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Senin, 26 Juli 2010

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  • Published on: 2002-04-18
  • Binding: Hardcover

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Sabtu, 24 Juli 2010

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After Perfect: A Daughter's Memoir, by Christina McDowell

A “searing memoir of loss and redemption” (People) that “exposes the side of The Wolf of Wall Street we didn’t get to see” (Metro), After Perfect is a cautionary tale about one family’s destruction in the wake of the Wall Street implosion.

Selected as one of the year’s “Fifteen Books You Need to Read” by the Village Voice, Christina McDowell’s unflinching memoir is “a tale of the American Dream upended.” Growing up in an affluent Washington, DC, suburb, Christina and her sisters were surrounded by the elite: summering on Nantucket Island, speeding down Capitol Hill’s rich back roads, flying in their father’s private plane. Their life of luxury was brutally stripped away after the FBI arrested Tom Prousalis on fraud charges. When he took a plea deal as he faced the notorious Wolf of Wall Street Jordan Belfort’s testifying against him, the cars, homes, jewelry, clothes, and friends that defined the family disappeared before their eyes, including the one thing they could never get back: each other.

Christina writes with candid clarity about the dark years that followed and the devastation her father’s crimes wrought upon her family: the debt accumulated under her identity; her mother’s breakdown; her own spiral into addiction and promiscuity; and the delusion that enveloped them all. She shines a remarkable, uncomfortable light on a family’s disintegration and takes a searing look at a controversial financial time and also at herself, a child whose “normal” belonged only to the one percent. A rare, insider’s perspective on the collateral damage of a fall from grace, After Perfect is a poignant reflection on the astounding pace at which a life can change and how blind we can be to the ugly truth.

  • Sales Rank: #420315 in Books
  • Published on: 2016-04-19
  • Released on: 2016-04-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 320 pages

Review
"[Christina McDowell] exposes the side of ‘Wolf of Wall Street’ we didn’t get to see." (Metro US)

"In her gritty, heart-wrenching memoir, After Perfect, she describes her long journey through depression, addiction, grief, and anger as she reeled from her father’s unimaginable betrayal—and how she ultimately found forgiveness." (Parade.com)

"McDowell traces how her privileged family lost everything...and that was only the beginning of her nosedive." (O Magazine)

"Christina McDowell opens up about her Wolf of Wall Street life." (MarieClaire.com)

"[A] buzzy book...McDowell lays bare the sad and sordid aftermath of her father's deserved downfall." (Sherryl Connelly New York Daily News)

“[Christina McDowell] reflects on how facing up to loss can lead to new beginnings.” (Porter Magazine)

"[Christina McDowell] has written a memoir about the fallout from her father's crimes, a tale of the American Dream upended." (The Village Voice, Fifteen Books You Need to Read in 2015)

"A searing memoir of loss and redemption." (People Magazine)

"After Perfect tells the expanded tale of her personal hell...Throughout her book, McDowell retains an awareness of the sense of entitlement wrought by her upbringing and her ongoing privilege." (LA Weekly)

"Without sensationalizing her lifestyle...McDowell faces her past with an admirably rigorous level of criticism and self-awareness." (Shelf Awareness)

About the Author
Originally from McLean, Virginia, Christina McDowell currently resides in Los Angeles with her dog, Zelda Fitzgerald. She volunteers for InsideOUT Writers, a nonprofit for children impacted by the criminal justice system.

Excerpt. © Reprinted by permission. All rights reserved.
After Perfect -1- The Phone Call
The roads were quiet, and white frost covered the otherwise green hills of Virginia. No one could hear the engines of several government-marked SUVs traveling one before the other, like soldiers down Dolley Madison Boulevard.

Like every other typical morning in our house, my father was the first awake. He was leaning over the marble sink in the master bathroom in his boxer shorts shaving the outer edges of his Clark Gable mustache with an electric razor. His collection of Hermès ties hung on a rack alongside the open closet door opposite his collection of Brooks Brothers suits. In the background, CNN reported on the television screen behind him: “Jury selection began Tuesday in the Martha Stewart criminal trial, where the self-made lifestyle maven will try to defend herself against charges of obstruction of justice, making false statements, and securities fraud.” The NASDAQ and Dow Jones numbers crawled along the bottom. I asked my father once what the numbers meant. He replied, “Don’t worry about it, that’s your dad’s job.”

My mother was sitting in front of the gold-framed mirror at her vanity table just down the corridor. Her hair pulled back with a navy scrunchy, she was examining her wrinkles and moving her skin with her hands to see how she would look with a face-lift.

Sometimes she forgot how beautiful she was. As a little girl, strangers would pull me aside at the market and ask, “Hey, kid, is your mom a movie star?”

She wrapped her silk bathrobe around her nightgown and headed to the kitchen to put on the morning coffee.

Chloe was upstairs grabbing her gym bag and lacrosse stick. Her boyfriend kept honking the horn of his Jeep Grand Cherokee out front.

“Coming!” she yelled as if he could hear her.

The SUVs continued on, passing an unmarked security house where, next to it in the gravel path, a sign had been planted: George Bush Center for Intelligence CIA Next Right. Hardly noticeable for the average tourist passing by on the way to Dulles International Airport, intentionally inconspicuous as all of the secret intelligence of the world lies just a mile down what looks to be a harmless suburban road. It was the winter of 1993 when I found out what it was, in the car with my mother on the way to school, and a secret agent stopped us at the red light. He questioned her. I remember asking what for, and she explained to me what was hidden down the street. A gunman had opened fire on several cars entering the CIA headquarters, wounding three and killing two employees. I understood then, despite the quiet feeling in our neighborhood, that things happened all around us every day that we weren’t privy to.

The SUVs turned onto Georgetown Pike, gaining speed, passing the Kennedys’ Hickory Hill estate to the left down Chain Bridge Road, and the little yellow schoolhouse on the hill to the right, a place my sisters and I used to march to with our Fisher-Price sleds each winter. But when the vehicles approached the corner to our street, Kedleston Court, a quiet cul-de-sac of mansions, Chloe flew out the front door, struggling to whip her backpack over her shoulder and lugging her lacrosse stick and gym bag in her other hand. She hopped into the passenger’s side of her boyfriend’s Jeep, and they took off, passing the SUVs without a second thought. It had been three years since 9/11; since US Air Force F-16 fighter jets flew so low to the ground they shook our beds at night. The days of my father flying his airplane above our home were long gone. We had become accustomed to this quiet feeling. We trusted that we were safe.

The SUVs came to a screeching halt, blocking our driveway and forty-foot stone walkway. The slamming of car doors and the heavy clicking of loaded guns disturbed our quiet morning routine when a dozen men covered in black bulletproof vests with yellow emblazoned letters on the back fanned out across the lawn, toward the front door of our estate, framed by Corinthian columns that beckoned the movers and shakers of Washington, DC—the entire property engulfed by green ivy and willow trees.

My mother was leaning against the kitchen island, sipping her coffee as she watched the morning banter of the Today show’s Matt Lauer and Katie Couric. If only she had turned around, had the TV not been so loud, she would have seen through the open shutters the infamous emblazoned letters—

“FBI!”

If she didn’t look the other way, maybe she would have known. It was too late.

“Get on the ground! Get on the ground! Now! Now!”

She dropped her mug, shattering it to pieces at her feet, spilling coffee all over the marble floor, running for the front door to find it wide open. My father was being handcuffed, his face smashed against the pink Persian rug in the foyer.

“You have the right to remain silent. Anything you do or say can be used against you in a court of law . . .”

My mother shook, begging my father for an explanation as she asked a series of cluttered and hysterical questions. He pleaded with her while the FBI lifted him to his feet. He told her he was innocent. He told her not to worry. He told her to call Bernie Carl. Had his hands not been handcuffed behind his back, he would have been pointing his finger at her.

My mother, watching from the foyer as my father was thrown into the back of a black Suburban, crumbled to the floor, barely breathing, heaving from shock.

She didn’t know.

The year was 2004, and America was unaware that it was about to fall into its worst economic recession since the Great Depression. George W. Bush was president, the “War on Terror” had begun, Lehman Brothers still existed, the real estate industry was skyrocketing, and everyone was happy stretching the limits of his or her livelihood on multiple credit cards and second mortgages. The rich grew richer. The poor grew poorer. And I—well, I had been lucky. Most who knew me then would have said that I was from the 1 percent. Although I never knew how much money my family was worth, how much liquid cash we had, or how much was sitting in crooked stocks. I have since discovered that one’s financial security is often an illusion, although I didn’t always feel that way. At eighteen years old, I had never paid much attention to the feeling of safety—of security. It was never discussed. It didn’t have to be. I grew up a few blocks west of Ethel and Bobby Kennedy’s Hickory Hill estate, and a few blocks south of the CIA in McLean, Virginia—the affluent suburb of Washington, DC, filled with politicians, spies, and newscasters. “Security” was just a privileged afterthought lingering in my subconscious somewhere as I floated through my seemingly fairy-tale life without a care in the world.

I was the girl who had everything: The mansion, the private plane, the Range Rover, summers on Nantucket Island. I was popular, had loving sisters who were my best friends, happily married parents, and dreams of being a movie star. Raised among the American elite, my father had created the epitome of an American Dream.

We looked perfect.

My father didn’t come from money. He built our life for us from the ground up. The grandson of Greek immigrants, the eldest of seven children, born and raised a sweet, southern boy from Richmond, Virginia, who spent his summers watching ball games at Fenway Park in Boston with his grandparents. “I ate all the cherries on the cherry tree and broke windows playing baseball in the backyard. I remember seeing the last baseball game in 1960 between the Boston Red Sox and the New York Yankees at Fenway Park when Ted Williams and Mickey Mantle played against each other. The Red Sox won.” He loved to tell that story.

Being the grandson of immigrants, he was proud of the life he worked so hard to build. He was the first of his family to graduate from college, the College of William & Mary in the historic town of Williamsburg, Virginia. The alma mater to the founding fathers James Monroe and Thomas Jefferson, the blue blood that shaped the principles on which this nation was built. Once, my father took me to a tavern for lunch in Colonial Williamsburg where all of the employees dressed up as pilgrims. He wanted me to engage in its history. I remember our server reminded me of Mammy the housemaid from Gone with the Wind, my favorite film growing up. She was a round African American woman dressed in a white bonnet and blue smock. As she set my plate of meat loaf and grits on the table, I looked at her, and instead of feeling like beautiful Scarlett O’Hara, I felt racist. I swore to myself I’d never go back there. I’d never, ever be seen with all those pilgrims wearing buckled shoes.

But my father looked back on his college days with great nostalgia. He was young and broke, and told us stories like the time he broke into the school cafeteria and ate all the Jell-O because he didn’t have any money for dinner. Or how he charmed all of the wealthy New England girls into cooking for him. After graduation, he was drafted during the Vietnam War and served his time dutifully in the air force, where he learned how to fly fighter jets. He went on to attend Howard University Law School, the prestigious all-black university in Washington, DC, where he wrote for the law journal and became a clerk at the White House in the still rippling years and aftermath of Dr. Martin Luther King Jr. and the civil rights movement. It was less expensive than a place like Harvard. When someone would ask me, as a kid, where my father went to law school, and I replied, “Howard,” they would respond as if they hadn’t heard correctly. “Harvard?” “No,” I’d say, “Howard.” Without fail, there was a moment of confusion for the other person. With all of the wealth we accumulated, people found it hard to believe he was a die-hard liberal. When I was older, my father would explain to me the importance of equal rights, affirmative action, gun control, and health care. Always rooting for the underdog in the quest to achieve the American Dream.

It would be years before I put together the pieces, the truth about my father, and the truth about myself. I had no idea the day the FBI came that I was being propelled into a reality that would strip me of everything I ever knew to be true, where all my life the lie was the truth and the truth was the lie, how the silver spoon would be ripped from my mouth, and how, in the end, denial would fail to save me.

I wasn’t there the day the FBI arrested my father. It was the narrative I created and replayed over and over in my head when my mother called me two hours later, as I had been fast asleep in my boyfriend’s bed in sunny California.

Blake placed his hand on my bare back as I glanced up at the blurry numbers of his alarm clock. I let out a groggy groan, still hungover from the night before, and switched sides of my pillow to face him; his sweet brown eyes looked at me. It was one of our last mornings to sleep in together before I headed back across town to finish my second semester of freshman year at Loyola Marymount University in Los Angeles. We were nestled in the northeast corner of his father’s mansion in Hancock Park, a high-profile neighborhood where rows of giant palm trees line the sidewalks of English Tudors and Mediterranean mansions. Home to consulates, studio executives, and movie stars—where old money lives.

Blake pulled down the covers as he kissed me and then pushed my left shoulder, turning me over on my back, exposing my naked body to the morning air, and I shivered as he kissed farther down my torso. My phone started ringing. It was the original Nokia ringtone, the one everyone hated—“do-do do do, do-do do do, do-do do do do”—it wouldn’t stop. I would have ignored it, but my heart was pounding, and I had this feeling: someone’s died. It was too early for a phone call. I put my fingers through Blake’s wavy hair and whispered, “Sorry,” as I scooted up toward the headboard and grabbed my phone off the nightstand.

“Are you serious?” Blake quipped, stranded at the foot of the bed.

“Home calling.”

I answered. “Hello?”

“Honey?” It was my mother. Her voice was trembling.

“Hi, Mom,” I replied, my heart thumping out of my chest. I yanked the comforter off the bed, wrapped it around my body, and turned away from Blake, who made his way over to his turntables and put on his headphones, annoyed by my rejection.

“I have some bad news,” she said, her voice moving into a higher register, the way she sounds when she’s trying not to cry.

“What’s going on, Mom?” I just wanted her to get it out and over with.

“The FBI came to the house this morning. They arrested your dad on fraud charges.”

“What?” I wasn’t sure I had heard correctly. “What do you mean, ‘fraud charges’?”

“You know Martha Stewart? It’s—it’s sort of like that.”

I knew by the way she hesitated that she was unsure of how to explain it. “You need to get a job as soon as possible,” she continued. “There’s no money left. The bank is going to take our home.”

As my mother’s words pierced through my conscience, I began stuttering from shock. Then I asked a series of my own hysterical questions: “Is he guilty?” “Is he going to be in the news?” “Is he going to prison?” “What do you mean, the bank is taking our home?” Each new question charged with escalating tears, and my mother didn’t have an answer to any of them. She claimed to know nothing but that it would only be a matter of days before we would lose everything. She couldn’t have known in that moment to what extent everything meant. Her intention of the word everything was used to imply material possessions. Houses, planes, cars, jewelry, clothing—the things that defined us, the things that made us worthy, the things we thought we needed—somehow, in the end, destroyed us. Neither of us knowing how lost we’d be without them, floundering in a world where love was no longer the answer. She couldn’t have known what would painstakingly prove to be the greatest loss of all. All of those things we could never ever get back: ourselves, each other. Family.

I hung up the phone and wiped my tears. Blake took off his headphones and looked at me. “Divorce?” he said, buttoning his pants, an unlit cigarette dangling from his lips. His tone wasn’t a question, more like he knew why I was crying and didn’t need to ask because he’d been entangled in his parents’ bitter divorce battle at the age of five, watching them rip each other’s hearts to shreds; a childhood wound still raw and untouched given the way he would, or most of the time, wouldn’t, talk about it.

“No,” I replied, staring into a blurred distance. Blake lit his cigarette, waiting for an answer—any answer to explain my sudden fugue state.

“The FBI came to my house this morning. They arrested my dad on fraud charges,” I said in a wave of eerie calm, as if the words had come from someone else, someone I didn’t know yet.

Blake’s eyes met mine. He inhaled his cigarette and then exhaled. He stared at me, thinking of what to say, the smoke lingering between us. Blake shook his head with confusion. “What?”

An instant sense of urgency kicked my system into overdrive. I leapt out of bed and kneeled down over my sprawled-out suitcase on the floor, searching for my favorite vintage 20th Century Fox T-shirt Blake had given me. I threw it over my head; the iconic gold block letters were faded from years of someone else’s wear and tear. I jumped up, putting one foot and then the other inside a new pair of Seven jeans that Mom had allowed me to put on the credit card.

“I have to call my sister,” I blurted out, turning around in circles, disoriented, trying to button my pants, not remembering where I put my cell phone. I searched for it, throwing pillows across the bed, lifting the top of my suitcase and throwing it over my pile of clothes spewing from all sides, shoving Blake’s skateboard upside down next to the door so it banged against the wall, and finally pulling the entire comforter over the bed with both hands, as if I were a magician getting ready to whip a tablecloth out from under the china. “Where is it?” I screamed. The comforter went flailing behind me with the sound of a pathetic thud as my cell phone hit the dresser and, at last, fell to the ground.

“Hey, hey, hey.” Blake rushed over, restraining me as I tried to get past him to pick up my phone. “Slow down. Breathe,” he said. I glared at him as he held my upper arms in place just below my shoulders. “Why don’t we go for a drive?” he suggested, knowing that nothing he could say would fix the overwhelming confusion that overtook any chance of my having a normal day.

“Okay,” I said, and then took a deep breath, “but don’t tell anyone about this. Not your dad—anyone.”

“I won’t,” Blake promised.

I didn’t know whom I could trust. I had known Blake for just over a year. We met at the Hollywood location of the New York Film Academy, a summer program that only the offspring of the affluent can afford, where students are given a vintage 33 millimeter film camera, all-access passes to the Universal Studios back lot, and a suite at the Oakwood Apartments, infamous for housing its rising Disney stars or the next Justin Biebers of the world. Blake was unfazed by it all. He broke all the rules, drove a fast car, smoked weed, had neon blue hair when I met him. He was the antithesis of Ralph Lauren, Ivy Leagues, and loafers—the guys I was surrounded by in Virginia. I was instantly drawn to him. He’d sneak me into forbidden places, like the haunted house from Alfred Hitchcock’s Psycho, where we once found loose nails from a previous film set, then climbed to the rooftop and carved our names into the rotting wood. Blake’s carefree attitude came from being raised in a family of Hollywood lineage tracing back to the golden age. His father grew up next to the likes of Judy Garland and silent film stars such as Harold Lloyd, and was friends with Hugh Hefner.

One time at a private party at the Playboy Mansion when I was seventeen, I was pulled from the kids’ table (yes, there was a kids’ table) by one of the Playmates, who said to me, “Oh boy, when Hugh gets his eyes on you . . .” I remember staring down at my double-A-size breasts. “Oh, don’t worry about that, honey; he’d take care of it,” she said, like it was no big deal, like just another trip to the grocery store. By the end of the night, I found myself being chased by wild peacocks in the backyard amid naked, spray-painted Playboy bunnies while fireworks burst through the sky.

I was on the edge of adulthood in a city where your wildest fantasies become distorted realities; where boundaries become blurred lines. A far cry from the rigidity of a nine-to-five in public service in our nation’s capital for which I might have been destined otherwise. I longed to be a part of it all: the sex, the drugs, the rock and roll. Fame. My father had always told me I was going to be a movie star: a frail brunette beauty like Audrey Hepburn, he said.

Blake and I climbed into my BMW—a gift my father had given me the day before my high school graduation. Covered in a red bow, and tucked in the windshield was a note that read “Dear Christina Bambina, you owe me an airplane, Love Dad.” Later I found out my father had sold his airplane to buy the car. Money had been tight, but I never knew. My family, we never discussed that sort of thing. I never, ever had to think about money. In fact, I was told it was rude to discuss money.

Blake drove, and I sat in the passenger seat and called Mara, who was starting her junior year at Southern Methodist University in Dallas. Mara and I had always been close. Even after she left for boarding school when the the academic pressures at the National Cathedral School for girls became too intense and my parents decided it would be better if she finished high school in the Swiss Alps, where there were more snow days than school days. I never understood the choice to go from the culturally eclectic boarding school in Switzerland, with Saudi princes and princesses, and the future successors of oil tycoons, to the finest breeding ground for the next Mr. and Mrs. George Bush. I suppose there wasn’t a difference. Either way, she was my cool big sister who taught me how to freak dance and who cried when Kurt Cobain died.

The phone rang, and I knew I would feel better once we talked.

“Hey,” she said. Her voice was raspy, as though she had been crying.

“Hey.”

“Did you talk to Mom?”

“Yeah, and I just talked to Dad.”

“You did? How?”

“Mr. Carl bailed him out. He’s going to call you when he can.”

Bernie Carl was one of my father’s wealthiest friends, a banker. He and his wife, Joan, a Washington socialite, and their three children were close family friends. We traveled together on each other’s private planes, spent summers in Southampton, Nantucket, and St. Barths, and Thanksgivings in London and Scotland.

“What else did he say?” I wanted to know everything.

“He said it’s all a misunderstanding and that the government is trying to make an example out of him.”

I had no idea what she was talking about. “Okay,” I said. “Have you talked to Chloe?”

“No, she’s at school. I don’t think she knows yet.”

Chloe was a freshman in high school. She had become an avid lacrosse player with more friends than anyone could keep track of and a bit of a wild card, as no one ever knew whether she would bring home an A on an exam or hijack the Range Rover when our parents left town. Once, when she was five, she decided to swing from the gold chandelier in the family room with her best friend. Like two monkeys swinging from tree branches. The mischief ended in a near-fatal accident when the chandelier came crashing to the floor, shattering lightbulbs across the room. She and her friend were lucky they ran away unscathed.

I never spoke to Chloe that day, and it would be years before she would ever talk about what it was like for her when she found out about our father’s arrest.

Mara was rambling on about possible job options already. “Stripping?” she joked. Was it a joke, though? It was too overwhelming. I told her I had to hang up. For once, I didn’t want to keep talking.

Blake pulled the car over somewhere near the top of Laurel Canyon and Mulholland Drive. We got out, and I hurdled the metal guardrail along the cliff and sat with my feet dangling over the edge. Blake hopped over and took a seat next to me. He pulled out a joint from his pocket and sparked the end.

“Here,” he said, passing it to me. I took a long drag, hoping that in minutes I would be numb to the world.

I squinted, looking out over the hazy Los Angeles skyline. The Hollywood sign was barely visible in the morning fog; its alluring presence waiting for the sun to shine before it mocked the dirty streets of Hollywood. It would be hours before the hustlers readied their star maps for tourists, before the dancing Elvis and Marilyn Monroe impersonators sweated beneath their costumes, proclaiming their dreams of stardom next to a lone “Jesus Save Us! I Repent!” sign held by some angry protestor, each praying that one day they’ll be noticed.

Had I known what was to come, I would have been on my knees in the dirt praying for the answers, because the power of money—the loss of money, the need for money, what we would do for more money—would rip through my family, denying any chance of a resurrection. With each passing day, losing who I was and not knowing who I would become. I didn’t know how any of it would happen, how the truth would unravel, and how it would unravel me.

I passed Blake the joint. I thought about the possibility of my father being guilty. “But he wears Tommy Bahama T-shirts,” I declared. “My dad. He wears Tommy Bahama T-shirts.” Blake and I bent over laughing. Laughing so hard my stomach hurt.

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17 of 20 people found the following review helpful.
McDowell does a very good job at explaining how she learned to survive on ...
By Bob Miller
Christina McDowell (nee Prousalis) writes about her emotional rollercoaster ride, starting from the gates of her lavish life surrounded by the rich and famous, and similarly situated friends, as she cruised through her adolescent and teen years without noticing how the other 99% of the world lived, to a finishing line of despair, drugs, reckless sex and near insanity in the seedy parts of California. Prior to her adventure, her father, Tom Prousalis, was a securities lawyer who marketed himself as an expert in the Initial Public Offerings (IPO) arena, a niche that included organizing smaller companies through an underfinanced start, to prosperity by raising capital from investors. The idea was Prousalis would handle the legalities, including a full disclosure of the risks associated with the venture; he was indicted by the feds for not making the appropriate disclosures and sent to prison; all of the assets he had accumulated, including the grand estate where the author lived along with her two sisters and mother, was foreclosed on by the bank. McDowell, now broke, virtually homeless, and abandoned by many of her so-called friends, left for California only to meet up with more betrayals and obstacles. Her father, a sociopath, incapable of feeling real empathy for others (including his daughters), stuck McDowell with substantial credit card debt he had clandestinely managed to place in her name. McDowell does a very good job at explaining how she learned to survive on the streets (well, not totally on the streets, she always seemed to get some money from mom and others) by working multiple waitressing jobs, failed actress attempts, and cashing in (or leaning) on friendships she developed along the way. During this period, her life was filled with drinking, sex and drug usage and self-examination, as she attempts to cope, not only with a life she is completely not accustomed to, but also as an escape from confronting the realities of her father’s mental sickness. McDowell seems to have graduated from the “school of hard knocks”, but it was not easy, and her writing is compelling. I recommend the book.

0 of 0 people found the following review helpful.
Moving .. Such a cautionary tale
By F. Maloney
I am so glad she has written this book. There are so many lessons that can be taken from her story. And, she is a talented writer who can really keep the reader interested. I feel so sad for everyone.. I wish she could get some validation from her father, though... Is that too fairytale-ish? Geez, Tom, give the girl a break and apologize!

0 of 0 people found the following review helpful.
Loved It
By Barbara
Couldn't put this book down. I wonder how many more families are hung out to dry because of their father's greed...

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Metamaus Look Inside Modern Classic Maus HC, by Art Spiegelman

  • Published on: 2012
  • Binding: Hardcover

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Line Color Form: The Language of Art and Design, by Jesse Day

Design students today are more visually literate than ever before, and their learning style naturally favors the visual over the textual. So why should they learn art and design theory from a traditional textbook? The only guide of its kind, Line Color Form offers a thorough introduction to design theory and terminology in a visually appealing and accessible format. With hundreds of illustrations and minimal text, this primer was created with visual learners in mind, making it ideal for art students as well as those for whom English is a second language. 

Each chapter focuses on a single aspect of visual composition, such as line, color, or material. After an illustrated discussion of fundamental vocabulary, the chapters move on to applications of the concepts covered. These applications are again demonstrated through images, including photographs, color wheels, significant works of art, and other visual aids. Each image is accompanied by a descriptive paragraph offering an example of how the vocabulary can be applied in visual analysis. The book culminates with a section on formal analysis, aimed at teaching readers how to express their observations in formal writing and critical discourse. 

With its emphasis on the visual, this unique guide is a highly effective learning tool, allowing readers to gain an ownership and mastery of terms that will benefit them academically and professionally. Whether you are a design educator, student, or professional, native or non-native English speaker, this bright and concise reference is a must.

  • Sales Rank: #585680 in Books
  • Brand: Day, Jesse
  • Published on: 2013-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 7.10" w x 7.00" l, 1.01 pounds
  • Binding: Paperback
  • 144 pages

Review
“In this unusual reference book, Day (art and design history and theory, Parsons, the New School for Design, New York) seeks to lay out a lexicon of art and design vocabulary. The author communicates from a visual thinker’s perspective, pairing images of objects related to key terms and concepts with simple, concise text descriptions. College-level and advanced high school art students will find this book a valuable and frequently used resource to help them speak with greater insight about their work. Sections on writing essays about art will be particularly helpful to art students. VERDICT Though students are the primary audience for this book, anyone seeking to discuss and appreciate their own or others’ artwork can benefit from it.” (Library Journal)

For those of us teaching higher education in art and design schools, Line Color Form is the answer to a problem so many of us face: How to help bright students, non-native and native speakers alike, who struggle to find words to express what they see but lack the vocabulary to describe. This book gives students the analytical tools they need, systematically identifying all the major components of visual experience in the most straightforward, elegant manner possible.

” (Yael Samuel, assistant adjunct professor, Otis College of Art and Design)

“Written in an engaging and straightforward manner, Line Color Form is an essential guide to art and design terminology and an excellent resource for visual art students at virtually every level.” (Angie Wojak, director of career development, School of Visual Arts)

A significant achievement and contribution to the field, this handbook's clear terminology and illustrations will enhance the communication and eloquence of any student or instructor of art and design practice.

” (Sarah E. Lawrence, dean, School of Art and Design History and Theory, Parsons The New School for Design)

About the Author
Jesse Day teaches art and design history and theory at Parsons the New School for Design, where he has been a lecturer since 2006. Prior to this appointment he taught English as a Second Language at the New School University and at the American Language Institute at New York University. Day holds a double Bachelor’s Degree in modern literature and European history from the University of Santa Cruz, CA, and was ESL certified by the Language House, Prague, CZ. He is the recipient of two Innovations In Education grants from the New School, the first of which funded the development of Line Color Form. He lives in New York City. 

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0 of 0 people found the following review helpful.
Illuminating, empowering, and vital--for the student, the teacher, and the professional!
By Abracadaver!
As an arts educator, I have been waiting for years for a book like this for my students. Mr. Day has accomplished something remarkable with Line Color Form—given us an entry point into visual culture and the visual arts (with all of its subtlety, nuance, and confusion) that is approachable and easy-to-understand. This information in this book is so vital and empowering to the beginning art and design student (not to mention for a few of us old-timers, too!) that it’s a wonder that it’s taken so long for someone to do what Mr. Day has accomplished with this. It should be required reading in every art and design program in the country.

0 of 0 people found the following review helpful.
Excellent Resource for Design Students
By JR
As coordinator for the tutoring center at a university with a large design program, I'm constantly on the lookout for new and inviting resources. It's forever a challenge to engage art students in the writing process, and Line Color Form offers some welcome support in this area. Day provides the necessary language and critical thinking skills for visual learners to describe their work as well as that of others. The book flows brilliantly, beginning with lessons on descriptive vocabulary and culminating with instruction and examples of formal analysis and other common essay types. If Strunk & White's The Elements of Style and Itten's The Art of Color had a really attractive and well-designed baby, we'd end up with this indispensable tool.

More than 50% of my students speak English as a second language, and Line Color Form is perfectly suited to meet the needs of that population and native speakers alike. I highly recommend LCF for all art/design students and faculty (ESL or otherwise). I put a copy on every one of our 30+ tutors' desks!

0 of 0 people found the following review helpful.
Compact, Accessible and Fun to Use!
By Thom F. Cavalli PhD
It is easy to make simple things complicated but pure genius to transform the most complex things into simple forms. Jesse Day has done just this in an easily accessible book on art and design. I love everything about this work. It is a joy to use, neither a dictionary nor an encyclopedia, it simulates what we like most about the Internet: quick and easy access to seminal information. It's universal, economical and practical; visually appealing and offering more than dry content, but more importantly, an informed way of seeing. Here is a book that offers real value to students and teachers alike. Clearly, Jesse is onto a new method of learning where the acquisition of knowledge is fun! While this is a book about art and design, it is itself a masterful work of art! [...]

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